May Contest!  |  Add New Content  |  Top Issues  |  Register  |  Marketplace  |  Forums  |  Request a Feature  |  Help  |  Mobile  |  Home
 

Login
Username:  
Password:  
   

Register for free
Social Media: Facebook Twitter Tumblr
Search:
   
   
   

  Search by Cover Date

Browse:
  Titles
  Creators
  Characters
  Groups
  Story Arcs
  Publishers
  Imprints
  TPBs/HCs
  Podcasts
  Awards
  Members
  Contributors
  Public Collections
  Public User Lists

Last 10 titles added:
  1. Civil War II: Ulysses (2...
  2. Generation Zero (2016)
  3. Phineas and Ferb Quantum...
  4. Godzilla: Rage Across Ti...
  5. Defenders Epic Collectio...
  6. The Natural Inquirer (19...
  7. The Wildlands (2016)
  8. Sixpack and Dogwelder: H...
  9. Atomic Robo and the Temp...
  10. Kingsway West (2016)
   View All

Last 10 creators added:
  1. Jay Hasrajani
  2. Mercedes Vera
  3. Alfonso DeLeon
  4. Al Sanchez
  5. Douglas Gladstone
  6. S. K. Pierce
  7. Remy Boydell
  8. Jason Kapalka
  9. Alessandra Alexakis
  10. Fulgencio
   View All

Last 10 characters added:
  1. Laine
  2. Reeves, Fred
  3. Gnatmare
  4. Baines, Joey
  5. Archduchess Venobia
  6. Khen-To
  7. Squagga
  8. Salteres, Mrs.
  9. Salteres, Leo
  10. Salteres, Jerome 'Jerry'
   View All


    Reviews - Maus: A Survivor's Tale - HC vol. 01

View this issue

Great historical and personal comic - guhroobie1
This black and white comic has dark, bold lines to emphasize the dark event of World War II. There is no regularity to the size and number of panels, but Spiegelman uses large panels (i.e. filling up a third to half the page) to show settings and backgrounds. The large panels are visually representing the magnitude of a significant event such as rounding up Jews in the town square. Scene-to-scene, subject-to-subject, and action-to-action transitions are used throughout this graphic novel. The uses of cats as Germans, mice as Jews, and pigs as Poles were very interesting. Of course, there is always the cat-and-mouse metaphor thatís apparent but I think there is a deeper meaning behind using animals. There was something very animalistic or brutish about the concentration camps and gas chambers during WWII. Jews were treated as insignificant vermin, but to portray them as mice shows that Jews were living, breathing, and therefore, significant creatures. With detailed backgrounds, hand-written text as well as human-like facial expressions on the mice, Spiegelman created a world parallel to that of humans in a story that recounts the complicated history between his father and himself in the present and the even more difficult part of his fatherís past. Maus I is a great and quick read; not only is it educational, but it is more importantly personal.




© 2005-2016 ComicBookDB.com - Terms and Conditions - Privacy Policy Special thanks to Brian Wood for the ComicBookDB.com logo design